“Jack Dunphy” is the pseudonym of an officer with the Los Angeles Police Department. The opinions expressed are his own and almost certainly do not reflect those of the LAPD management.
How can cities fight crime effectively if discussing its racial and economic component is verboten?
They may be neighbors this time next year — but the city's police department and powerful newspaper have a running feud that has soured relations for decades.
Philadelphia has been rocked by video of police officers beating black suspects on the street. A levelheaded investigation is needed, but Al Sharpton and his circus are coming to town.
Incidents like the Sean Bell shooting are "awful but lawful" — but the post-verdict antics of Al Sharpton and his acolytes will only inhibit police efforts to help crime-ridden neighborhoods.
The selection process for the LAPD's top-notch SWAT team is being adjusted to bring in women — and the brass don't want to hear any objections to their affirmative action decision.
The Wire's big message was that the drug war has failed. However, this rational but flawed belief doesn't take away from the show's brilliance, writes Jack Dunphy.
Last week's funeral for the first Los Angeles SWAT team member to be killed on a call-up made Jack Dunphy "fearful of being a cop but also immensely proud."
From the moment he arrives at a crime scene, LA police officer Jack Dunphy knows whether or not the media will take interest. Any kind of murder or mayhem in wealthy white neighborhoods is certain to grab headlines; warring black and Latino gangs also make the news. But when LA gangs kill and maim within their own race and neighborhoods, no reporters bother to show.
A new regulation will require "regular and periodic financial disclosures" by all Los Angeles police officers "who routinely handle valuable contraband or cash." Officer Jack Dunphy warns that such a measure will drive the LAPD's best from crime fighting and create a wasteful bureaucratic nightmare.