RonRosenbaum.com

Support Pajamas Media; Visit Our Advertisers

It’s rather remarkable that the mainstream media in the U.S. has not covered the firestorm consuming the Netherlands over a Hague museum’s removal of an incendiary picture from an exhibition because of fears of retribution by Islamic radicals.

Check out this piece by Abigail Esmanfrom artnet magazine brought to my attention by artnet contributor Charlie Finch who is also a frequent and thought-provoking commenter here. According to Esman’s account, all hell has broken loose in the nation that saw the murder by a radical Islamist of a supposedly blasphemous film maker, Theo van Gogh, and death threats to his collaborator Ayaan Hirsi Ali. I’m not defending the artwork itself. (As a non-visual person, I frankly am completely baffled by how to assign value to contemporary art). But even if it was deliberately provocative, it’s an image not a murder. Hollywood has still not roused itself to mourn or protest the murder of a fellow film maker. I wonder if the American art world will protest this censorship. And, again, where is the media? Are they going to wait for another murder?

Apparently the artist, an Iranian born woman, Sooreh Hera, was at least in part motivated to combine images of Islamic icons and homosexuality by the murderous hatred of homosexuals in Iran. She cited a December 5 hanging (judicial murder) of a gay Iranian as more than enough justification for her act of free expression. Needless to say death threats have followed, the museum has tried to cover up its cowardly decision, fooling no one.

On the other hand maybe it’s unfair to the work of art to consider it only in the light of sacrilege and blasphemy. Look at the image yourself; the work could be interpreted as an image of love. Just as “Piss Christ” could be defended as an act of reverence (God is immanent in all things on earth). But one thing I know is that an art world that considers itself so brave for standing up for “Piss Christ” and elephant dung when cries of sacrilege go up, has shown itself adept in fleeing in fear from anything that might offend the “Religion of Peace”.

Comment DiggDigg This Delicious del.icio.us Digg Print Digg PJM Home

1 Comment

Denis Eugene Sullivan:

Greetings:

Censorship is the tactic.

Self-censorship is the goal.

Dec 19, 2007 - 3:25 pm

Write a Comment

Name: (required, displayed)
Email: (required, not publicized)
URL: (optional, displayed)
remember personal info?
Comments:
 

Ron Rosenbaum

Author Photo

Books

book cover BUY The Shakespeare Wars
Random House, September 2006


Electrifying. A spectacular book. —Cynthia Ozick


…a thrilling personal confrontation…The Shakespeare Wars comes to us in waves of new revelations —Billy Collins, former U.S. poet laureate


Acclaimed journalist Ron Rosenbaum wrestles with the weightiest issues of Shakespeare studies in a down-to-earth manner that readers will applaud. —Publisher’s Weekly


Cultural journalism of the highest order. —Kirkus Reviews


Timely not least for the economy and clarity with which he outlines the casus belli…with Rosenbaum’s dispatches we now have a better sense of what the fuss is about. —John Sutherland, The Financial Times

book cover BUY Explaining Hitler
A remarkable journey by one of the most original journalists and writers of our time. —David Remnick A work of importance and fascination. —George Steiner, the [U.K.] Observer A provacative work of cultural history that is as compelling as it is thoughtful, as readable as it is smart..Mr. Rosenbaum has made an important contribution to our understanding not just of Hitler, but of the cultural processes by which we try to come to terms with history as well… He has written an exciting, lucid book. —Michiko Kakutani, The New York Times Intriguing, thought provoking and intelligent. —Ian Kershaw in The Guardian [U.k.] Brilliant…restlessly probing and deeply intelligent. —Lance Morrow, Time In Explaining Hitler, profound historical questions spring urgently and hauntingly to life. —Sam Tanenhaus Cultural criticism served up as riveting narrative history —Marc Fisher The Washington Post
book cover BUY The Secret Parts of Fortune
Ron Rosenbaum is one of the great masters of the metaphysical detective story, a nonfiction writer in the spirit of Borges, Nabokov and Poe. —Errol Morris (director of The Fog of War) Few journalists inspire the kind of cult following that Rosenbaum has —Scott McLemee Newsday I plan on hanging Ron Rosenbaum’s ‘marriage proposal’ [column] in a prominent place. Should my husband begin to take me for granted, he will be reminded that I am not without options. —Rosanne Cash You made me look like a f_____g lunatic. —Oliver Stone ALSO AVAILABLE (an anthology of others’ work): Those Who Forget the Past: The Question of Anti-Semitism Bi-weekly Spectator columnist at Slate

Archives